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Dhul-Qarnayn or Zulqarnayn, 'He of the Two Horns', appears in Surah 18 verses 83-101 of the Qur'an as a figure empowered by Allah to erect a wall between mankind and Yajuj and Majuj (Gog and Magog), the representation of chaos.<br/><br/> In the Islamic apocalyptic tradition the end of the world would be preceded by the release of Gog and Magog from behind the wall, and their destruction by God in a single night would usher in the Day of Resurrection. In traditional scholarship the character is usually identified as Alexander the Great, who is ascribed similar adventures in the Alexander romance.
Representations of the Prophet Muhammad are controversial, and generally forbidden in Sunni Islam (especially Hanafiyya, Wahabi, Salafiyya).<br/><br/> Shia Islam and some other branches of Sunni Islam (Hanbali, Maliki, Shafi'i) are generally more tolerant of such representational images, but even so the Prophet's features are generally veiled or concealed by flames as a mark of deep respect.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 CE and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh (Book of Kings) is a Persian epic of 60,000 verses written by Persian poet Ferdowsi in 1000 CE. It tells of Persian history from the creation of time until the Arab invasion of the 7th century.
The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia.<br/><br/> Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century. The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. <br/><br/> It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia.<br/><br/> Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century. The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. <br/><br/> It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Bahram V was the fourteenth Sassanid King of Persia (421–438). Also called Bahram Gur or Bahramgur, he was a son of Yazdegerd I (399–421), after whose sudden death (or assassination) he gained the crown against the opposition of the grandees by the help of Mundhir, the Arab dynast of al-Hirah.<br/><br/> Bahram Gur is a great favorite in Persian literature and poetry. Numerous legends have been associated with Bahram. One account says that he aided an Indian king in his war against China and that, in return for his help, the Indian king made over the provinces of Makran and Sindh to Persia. The Lurs of Persia, it is argued, are the descendants of musicians sent to Persia by the grateful Indian monarch. However there does not exist any historical proof in support of this story.<br/><br/> Other accounts suggest that he married an Indian princess. However, the conclusion of such a marriage alliance is regarded as highly dubious once again due to lack of evidence.<br/><br/> Another legend, found in the Shahnameh, is about Bahram slaying two lions and gaining the crown between them.